Live at Royal Albert Hall 1971

Live at Royal Albert Hall 1971

From their earliest days as 12-string-wielding folk-rockers, to the thrilling psychedelic excursions of their raga-rock period to their 1968 birthing of country-rock, the Byrds were always accorded a hero's welcome in England. What better place to record founding Byrds member/guitarist/singer Roger McGuinn's new version of the band--featuring fretboard ace Clarence White, bassist Skip Battin and drummer Gene Parsons--than London's Royal Albert Hall!

Rescued from a tape that had sat forgotten in McGuinn's climatized garage for decades, this stellar 1971 set, featuring live versions of the current band's studio faves ("Lover of the Bayou," "Chestnut Mare") as well as adventurous reworkings of Byrds classics ("Mr. Tambourine Man," "My Back Pages," "Eight Miles High," "So You Want to Be a Rock `n' Roll Star") might be the most accurate and stirring live performance yet of the legendary Los Angeles combo. By 1971, the guitar interplay of McGuinn and White had become a jaw-dropping highlight of their live performances, as had their stripped-down, acoustic mini-set and peerless four-part vocal harmonies. As McGuinn, in typically understated fashion, says of this new Sundazed release, available now on both compact disc and as a high-definition vinyl, double-gatefold LP: "It was a great night, so I'm happy there's a record of it!"



Binding: Audio CD
EAN: 0090771117724
Format: Live
Label: Sundazed Music Inc.
Manufacturer: Sundazed Music Inc.
Number Of Discs: 1
Publisher: Sundazed Music Inc.
Release Date: 2008-06-17
Studio: Sundazed Music Inc.



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Spotlight customer reviews:

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Holy Cow, Where Did THIS Come From?!?!
Comment:

"Everything is already out there," one reviewer complained when the second boxed set was released.

Well, it wasn't and isn't.

Seemingly out of nowhere here is lots lots more. The post-Sweetheart Byrds red hot and live at Albert Hall, seriously tearing into one great performance after another on a night when everything seems to have gone right.

This band is on fire with no time for dead air. One great performance follows quickly on the heels of the last, as if they can't wait to nail the next one.

And the sound quality... Okay, not perfect but consistently solid and better than anyone had a right to expect. When it really gets right it threads the eye of a needle and, whoa, you're in the front row.

The 1969-72 Byrds have been described as a "solid rock and roll band with an honest country heart" -- they were, and their sound is timeless.

Happily so is the material....

Jimmy Reed's "Baby What You Want Me to Do", Jackson Browne's "Jamaica Say You Will," Lowell George's "Truck Stop Girl", Woody Guthrie's "Pretty Boy Floyd," Ledbelly's "Take A Whiff on Me," Chuck Berry's "Roll Over Beethoven..."

Bob Dylan's "My Back Pages," "You Ain't Goin' Nowhere," and an almost bluegrass performance of "Mr. Tambourine Man."

McGuinn's finest post-Sweetheart compositions are here - "Lover Over the Bayou" and "Chestnut Mare", along with his earlier hits and a lovely delivery of "I Trust."

And the "Eight Miles High" jam. I swear that's "Old Blue" in the opening, but it quickly takes off to places unknown. Happily, this time McGuinn and Clarence don't take such a long cigarette break and leave Skip and Gene hanging...

Since this arrived I've either been listening to it or wishing I was...

Thank you, Jim Roger McGuinn, and Camilla too.

This is a keeper, and a nicely packaged one too.



Customer Rating: Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5
Summary: BAMBOOZLED
Comment: THIS Album is Almost unlistenable. not the high flying byrds I remember. 8 mles high is almost unrecognizable. i played it thru once . Very painful. It won't get played again. I am sorry I wasted good money on this album!

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Long overdue
Comment: Another terrific live performance by the Byrds. A must have and must listen too, very often, concert CD. Now you can find out how many Byrds it takes to fill Albert Hall.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Rock & Roll
Comment: Roger McGuinn and Co. at their best. Not far from their demise. Real old school rock and roll. Pleasantly keeps my ears listening. Starts with Lover on the Bayou and keeps on goin'.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: A Very Special Night
Comment: This live performance from 1971 catches the Byrds' later day lineup at its very best. By this time the very tight ensemble of Roger McGuinn, Clarence White, Gene Parsons and Skip Battin probably had logged 300+ live shows together, and it really shows. McGuinn leads the way with his disetinctive electric twelve-sring sound and unique vocals, creating a solid bridge to the band's storied past. The addition of White, a true guitar virtuoso, added a twangy new dimension to the earlier hits, while adding it's own signature to newer songs such as "Chestnut Mare" and "Lover of the Bayou." The band especially sizzles through an 18-minute exploration of the Byrds' jazz-rock masterpiece, "Eight Miles High." During that extended jam, the drum and bass solo put together by Parsons and Battin it an absolute gem. White shines on vocals in "Truck Stop Girl" and "Jamaica Say You Will." There is an acoutic set that shows off the bands versatility in bluegrass, country, folk and folk-rock. Thank goodness Roger McGuinn found this incredible tape in his garage some 35 years after this fabulous concert!

Pete Hanrahan


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